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So far, we’ve talked about why I don’t use visualization in magick. Today, let’s talk about what I do instead.
First, I engage my mental muscles using mental posture. Then I connect to whatever ethereal software I want to use, based on its name. (The first time I encounter ethereal software, I name it, and to go back there, I just think the name while engaging the mental muscles for communication). I know the steps my mental muscles take to connect to the software, but I do this so often that I don’t have to consciously guide each step anymore.
(At some point, I’ll have so much software that naming each one won’t work. I’m not there yet, though.)
If I’m working with another person, like for healing sessions, I also connect to them. Usually, I focus on their signature, or on a picture, though sometimes I use a special ethereal software to help with these connections.
Then I listen: What message is the ethereal software sending me? (Usually it says, “Ready to go.”) Has the software connected to me properly? What part of the person have I connected to? (More on that below.) On the whole, what is the state of my connections to the things I want to work with?
Usually, the ethereal software is good to go, but my connection to the person is in the wrong location. So, I’ll connect to other areas of their energy body until I find something I recognize (like the energy of a particular organ), then move from there to the area of the injury. Today, looking around is a single thought that encompasses both seeing and directing the action, but let me step you through the process, the same way I stepped through it as I was first learning to look around the body:
- Direct my mental muscles to make more connections to the energy of adjacent tissues in the person’s body. (This is itself a technique I had to develop and practice, involving tracing paths and broadening signatures, but that’s too much detail to go into here.)
- Listen to all the energy signatures of tissues you’re now connected to. (Note: It takes practice to recognize different tissues based on their signature. I’d already learned that skill by the time I developed this procedure.)
- Consciously decide which tissue to connect to, based on the type of tissue and your best guess at the location. Hope it’s in the direction you want to travel. (I usually pick nerves, orienting myself based on the spine and brain.)
- Repeat this until you’ve found what you’re looking for, which is either a particular tissue to orient yourself (like the brain) or the area of the injury.
Over time, this procedure became natural, and today I don’t really think about each step. Kind of like how you stop thinking about a dance move after practicing it a few dozen times. Of course, if you never consciously stepped through the movements and practiced it slowly, you’d never be able to do it quickly — you can’t just skip to the end.
Once I find the energy of the injured tissue, I’ll ask my mental muscles what signatures they instinctively want to use on it. Then I’ll look at the injury and consciously think about what signatures look right, ask my mental muscles about those changes, and repeat a few times until I’m happy with everything.
That’s really what my magick looks like: Listen, take one very small step, listen some more, and repeat. When you actually set those healing signatures into the tissue, it’s the same idea: Ask your mental muscles to make a small change, watch what they do, verify it was correct, and repeat. With practice, the process becomes unconscious (just like a practiced dance move), and the ask-watch-verify cycle speeds up. Today, it takes about one second, and I’m not aware of each individual step. But they’re still there, handled by my mental muscles, just like the steps of a well-practiced dance move are handled by the dancer’s motor memory.
What about magick based on ethereal software? Same thing: I send an instruction, receive a reply, then send another instruction. Again, I take very small steps, verifying each one (based on the software’s reply and whatever I can watch of what it’s doing).
At this point, you’re probably thinking, “Visualization seems much simpler.” And indeed, it is. This approach was never designed to be simple, it was designed to let me consciously guide my mental muscles through new techniques. As a result, it’s more precise than other approaches, and with practice, also faster, because you’re not tied to rituals, and you don’t have to focus on symbols for long periods. But it has a difficult learning curve.
Tomorrow, we’ll wrap up this series by discussing how exactly I direct my mental muscles, and why I don’t use visualization there, either.Other posts in this series:
- Visualization is Overrated (August 25, 2012)
- The Many Substeps of Magick (August 25, 2012)
- Some Magick Won't Come Naturally (August 28, 2012)
- Why We Need Unintuitive Magick (August 29, 2012)
- Directing vs Perceiving Magick (September 2, 2012)
- Visualizations Direct (But Don't See) Magick (September 3, 2012)
- What I Do Instead of Visualization (September 5, 2012)
- The 3 Ways I Direct My Mental Muscles (September 8, 2012)
- How I Develop New Techniques (September 12, 2012)
Tags: Mental Muscles, Mental Posture, Sensory connections, Visualization