How I Engineer New Techniques: Erotic Energy

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Instead of visualizing my intent or performing a ritual, I engineer techniques. This is one of the core practices of Direct Magick and Direct Biofield Healing, and one of the keys to solving new problems with those systems. But what does it mean to “engineer” a technique?

Today, I want to share a concrete example of engineering a technique.

In March, I had an unexpected success with erotic energy, and found a new ethereal muscle responsible for it. The muscle was engaging automatically, which sounds good but is actually a problem: It would engage when I was turned on in the right way, visualizing the right thing, breathing just so… It was great when it happened, but it wasn’t reliable. I wanted to solve that, and also learn to harness this type of energy to create other sensations for healing techniques and demonstrations.

I connected that new muscle to my other ethereal muscles, and updated its connections to my brain, so I could engage it consciously, at will. There’s a whole other set of techniques I developed in my 20s for doing that, it could be its own series, but today we’re going to focus on what happened after I made that new muscle conscious: It would still create the right type of energy, but instead of creating it throughout my body, it only created it in a small region of my chest.

Why my chest? Really, it would create that energy in whatever parts of my body I connected to. But connecting to a part of the body isn’t as simple as thinking about it. When I connect to my knee, for example, I create a bunch of sensory connections to the tendons, ligaments, bones, cartilage, and other tissues in my knee, and to all of the different ethereal structures that carry energy from my cells to my aura*. If I connect to a part of my body in that way, the new muscle will build energy there. And by default, if it don’t connect anywhere, it works on a small region of my chest.

*I used to call this my “energy layer.” The term “aura” is imprecise, but I’m using it to reduce the amount of jargon and make this easier to connect to.

In March, I couldn’t connect to my whole body like that. I couldn’t even connect to all those ethereal structures in my knee, not all at the same time. It felt deeply intimidating, and I distracted myself for two weeks.

In April, consulting in Singapore, I started practicing these connections. I started with one ethereal structure — that means a single step along the path from my aura to my cells. I connected to that structure in my chest, then found the same structure (the same step in the path from aura to cells) in a nearby part of my chest, then a bit farther over, until it was in my shoulder, arms, and hands, and up to my head, and down to my stomach and legs. I wasn’t thinking about the parts of my body, but instead connecting to the ethereal structures, finding similar structures adjacent to them, and only then putting a little energy in those structures and noticing where in my body I felt the energy.

When I couldn’t find any new parts of that structure, I knew I was at a boundary — my fingertips, the top of my head, etc. I don’t think I reached any of those boundaries the first day. My mind and ethereal muscles were exhausted after connecting to a few regions of my chest and arms, but that was ok. The point wasn’t to solve the entire problem in a day. The point was to develop a procedure: Connect to one structure at one point, find similar structures nearby, repeat until you get to a boundary. That was something repetitive, an algorithm, which I could practice until it was unconscious. I found that solution, practiced until I was exhausted, then rested, then did it again the next day. Slowly, my ethereal muscles learned to do those steps without being consciously guided.

I did that every morning on the train to work. The third day, I connected to my entire body (for that single structure). The fourth through sixth days I repeated the task, taking smaller steps when I found nearby areas, getting a higher-resolution image of my body. The following week I added other structures, going up to my aura, or down toward cells, just like I do for healing techniques. (“Up” and “down” are metaphors, I discuss what they mean here.)

By the end of the month, I could connect throughout my body to the four main ethereal structures I use. It took about a minute, and no longer exhausted me. At that point, “connect to my whole body” became a single action, a basic technique I could use in building other, more complex techniques, such as “connect to my entire body, build this type of erotic energy, then share it in this way.”

That’s what engineering a technique looks like: Taking something I cannot do, creating a series of simple steps to achieve it, then practicing those steps until they become natural and automatic.

I realized two things in writing this post:

First, did you notice steps like, “connect to the same structure in an adjacent area,” that sound conceptually simple but aren’t precisely defined? That’s because finding an adjacent structure to see where it goes isĀ itself a technique. Several techniques, actually — an initial version, then an improved version, then improved again. Developing each version was similar to what I laid out in this post: A series of simple steps I trained my ethereal muscles to do. In most posts, I gloss over techniques like this, but today I wanted to call it out.

Second: The process of developing Direct Magick was the process of training my ethereal muscles to do new techniques, practicing them until they’re automatic and unconscious, then using those techniques as the building blocks for the next technique. Month after month, each technique building on the ones that came before. I’ve been working with energy and magick for 25 years, and engineering techniques for around 15 of those years. At one per month, that’s roughly 200 techniques. That’s what’s involved in teaching this system. Sometimes it feels overwhelming to teach Direct Magick, but seeing the actual scope, this feels doable.

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